Showing posts with label Boynik Sezgin. Show all posts
Showing posts with label Boynik Sezgin. Show all posts

Saturday, July 20, 2013

Nomadic Academy is starting a new series of educational events under the title FROM NOON TO MIDNIGHT. 

The 1st event happens on 30. 07. 2013 under the title "Dziga Vertov Group and the Political Film Collectives". Event will start at 12:00 clock and will last until late night. Event is free of charge. There will be screenings of 4 - 5 Dziga Vertov Group (Jean-Luc Godard and Pierre Gorin) films made between 1967-1970 with English subtitles. 

Apart from these discussions there will be also short presentations each lasting 20 minute related to the issue:

Eetu Viren will talk about communistic perception in Dziga Vertov films in relation to transformed conceptualisation of spatiality and temporality after the October Revolution.

Following Louis Althusser's theses on overdetermination by contradictions, Sezgin Boynik will talk about influence of Marxist theories to Dziga Vertov Group's film-form; particularly he will focus on the epistemological concept of break as condition for political film making.

Petra Bauer will present publication “Working Together: Notes on British Film Collectives in the 1970s” which she co-edited with Dan Kidner, that deals with the issues of collective film making as oppositional strategy of avant-garde political cinema.

Kari-Yli Annala will chair the event and talk about the importance of Dziga Vertov Group in political avant-garde film history.

Also during the event, which will last about ten hours, foods and refreshments will be served. Guests are also encouraged to bring their own foods and drinks. 

Wednesday, November 4, 2009


SOCIAL CINEMA & NOMADIC ACADEMY OF EXPERIMENTAL ARTS presents:

COMMUNISM

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SOVIET POWER

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ELECTRIFICATION OF THE WHOLE COUNTRY

Screenings in gallery MAAtila (Albertinkatu 19, Helsinki) 11. - 14.11.2009 klo 19 - 22

Wednesday

Esfir Shub: KShE KOMSOMOL (1932)

Joris Ivens: POWER AND THE LAND (1941)

Thursday

Krsto Papic: THE SECRET OF NIKOLA TESLA (1980)"Earth is the conductor of acoustic resonance" (N. Tesla)

Lulerim Zeqin: HYMN (2005)

Friday

Vittorio de Sica: MIRACOLO A MILANO

(MILANON IHME, 1951)

Saturday

Nikolai Khodataev, Zenon Komisarenko & Yuri Merkulov: INTERPLANETARY REVOLUTION (1924)

Ivan Aksenchuk: PLUS ELECTRIFICATION (1972)

Graig Baldwin: SONIC OUTLAWS (1995)

Pekka Sassi: SEVnet (2005, music by Anton Nikkilä) What would we be doing if we didn’t live in the Finnish Information Technology-dominated society, but in a post-revolution Union of Wireless Soviet Republics, where both information and money are free? What kind of films and music would we make if we were Soviet artists in the year 2005?

TOGETHER WITH VALON VOIMAT