PUSHKINO - KOKEELLISEN JA RIIPPUMATTOMAN LIIKKUVAN KUVAN TIEDOTUSKIRJE HELSINGIN JA SEN LÄHIYMPÄRISTÖN TAPAHTUMISTA 17.3.2014
PUSHKINO - liikkuvan kuvan kiinnostavia juttuja Helsingissä ja ympäristössä
Nomadisen akatemian (http://nomadinenakatemia.blogspot.com) tiedotuskirje ilmestyy säännöllisen epäsäännöllisesti. Mukana aina myös vähintään yksi valittu näyttelytärppi.
1. ITAF -teksti-tv-näyttely FISH Helsingissä
2. Pekka Hyytiäisen elokuvat Kino Tapiolassa Espoossa 17.3 ja 24.3.
3. Marguerite Duras -elokuvat Orionissa
4. Maya Derenin lyhytelokuvia 16mm-kopioina Artova Kinossa torstaina 19.3 klo 18:00
Näyttely: Johanna Ketola Kluuvin galleriassa
1. ITAF
"Any sufficiently advanced technology is indistinguishable from magic."
Arthur C. Clarke
http://teletextart.com/
20.3.-22.4.2014
in Yle Teletext and FISH Helsinki
The FixC cooperative organises together with Yleisradio, Finnish Broadcasting
Company, a festival of teletext-art ITAF Yle. The artworks are broadcasted
20.3. – 22.4.2014. on Finnish teletext pages 525 – 541.
The festival program includes an exhibition of works by Kathrin Günter, the
winner of Teletext Art Prize2013 and a video compilation of ITAF Yle teletext
art works with a soundtrack by Uli Mayr including "Das Atom im Videotextreich"
by Dragan Espenschied's Eurodance band, Bodenständig 2000. The exhibiton takes
place in the brand new FixC cooperative showroom: FISH Helsinki.
The ITAF Yle opening event also celebrates the founding of the world's first and
propably last teletext art museum MUTA (MUseum of Teletext Art). The museum will
show artworks on a regular basis on a permamnet teletext page in Yle Teletext.
In addition the museum will archive the teletext artworks in digital form for
the media archeologists of the future as part of the collection of Finnish
electronic art VILKE.
The teletext art works in ITAF Yle have been previously shown in ITAF2013 in ARD
text, ORF TELETEXT and SWISS TELETEXT. In one month over a million people viewed
the artworks and following the success ITAF2013 was selected in to the program
of Ars Electronica Festival, Linz, Austria, 5.9.-9.9.2013
The participating artists in ITAF Yle are:
LIA, Manuel Knapp, UBERMORGEN, Daniel Egg, Marc Lee, Raquel Meyers, Kathrin
Günter, Max Capacity, Dragan Espenschied, Jarkko Räsänen, Goto80, Seppo Renvall
, Dan Farrimond, Juha van Ingen, Cordula Ditz and John Lawrence.
WELCOME TO THE OPENING of ITAF Yle , exhibition by Kathrin Günter and the
founding event of MUTA (MUSEUM OF Teletext Art). The artist is present in the
opening.
Thursday 20.3.2014 8pm at FISH Helsinki, Alppikatu 17 lh2 Helsinki
The opening continues 10pm with a ITAF lo-tech teletext art videomix acompanied
by chiptune music played by Jarkko Räsänen in Sandron kulma Kolmas linja 17
...
2. PEKKA HYYTIÄINEN RETROSPEKTIIVI
Elokuvakerho Montaasi järjestää Pekka Hyytiäisen elokuvien retrospektiivin Kino
Tapiolassa 17. ja 24.3.2014. Tapahtuma koostuu kahdesta näytöksestä, joissa
esitetään Hyytiäisen kaikki kolme pitkää elokuvaa sekä runsaasti ennen
näkemätöntä materiaalia hänen uransa varrelta. Hyytiäisen ystävät ja
yhteistyökumppanit tulevat paikalle kertomaan elokuvien tekemisestä.
Hyytiäinen (1950–2008) on suomalaisen elokuvan unohdettu luonnonlahjakkuus ja
yksi niitä harvoja kotimaisia 1970- ja 80-lukujen
independent-elokuvantekijöitä, jotka onnistuivat murtautumaan
harrastajapohjalta valtavirtaan. Hänen omaehtoiset elokuvansa keräsivät
ilmestyessään runsaasti kehuja kriitikoilta, mutteivät saavuttaneet kaupallista
menestystä.
Hyytiäinen toimi 70-luvulla aktiivisesti elokuvakerho Montaasissa. Tehtyään
kerhossa kaksi kunnianhimoista lyhytelokuvaa hän perusti muutaman muun
aktiivijäsenen kanssa Lähikuva Oy -tuotantoyhtiön ja siirtyi tekemään pitkiä
elokuvia. Lähikuvan ensimmäinen tuotanto, jännityselokuva Kirje, valmistui
1978. Sitä seurasi muutamaa vuotta myöhemmin i + i (1981), tinkimättömän synkkä
"elokuva epäonnistumisesta". Hyytiäisen kolmas elokuva, sodan pelkoa käsittelevä
MP – minä pelkään (1982), jäi lopulta hänen viimeisekseen, vaikka tässä
vaiheessa hän oli kiinnittänyt maan merkittävimpien elokuvakriitikoiden
huomion: "Hyytiäinen on taikurimaisella tavalla kääntänyt kaupallisen elokuvan
keinot päälaelleen", kirjoitti Helena Ylänen (HS 27.3.1982), ja Sakari
Toiviainen (IS 26.3.1982) totesi Hyytiäisen olevan "suomalaisessa elokuvassa …
jo nyt oma jäljittelemätön ja korvaamaton ilmiönsä, ulkopuolella leirien ja
muotisuuntausten".
Lyhyen uransa aikana Hyytiäinen ehti kehittyä yhdeksi kotimaisen elokuvan
omintakeisimmista ohjaajista, mutta hänen tuotantonsa huonon saatavuuden vuoksi
hänen osuutensa Suomen elokuvahistoriassa on jäänyt pitkälti huomioimatta.
Hyytiäisen nimi nousi uudelleen esiin syksyllä 2012 Night Visions -festivaalin
yhteydessä pidetyn MP:n 30-vuotisjuhlanäytöksen myötä, mutta hänen muita
elokuviaan ei ole esitetty ensi-iltakierrosten jälkeen. Kohti pimeää: Pekka
Hyytiäisen elokuvat korjaa puutteen tarjoamalla laajan katsauksen Hyytiäisen
tuotantoon.
NÄYTÖS I
Ma 17.3. klo 19 (yht. 3 h)
Kirje (1978, 102 min, 35 mm)
+ Näin syntyi Kirje (1978)
+ Painajaisten välissä (1975)
+ Peksi kameran edessä ja takana (2014)
NÄYTÖS II
Ma 24.3. klo 19 (yht. 4 h, sis. 15 minuutin väliaika)
i + i (1981, 58 min, DVD)
MP – minä pelkään (1982, 83 min, 2K DCP*)
+ otteita kesken jääneistä elokuvista NL86 ja Saari 16
* KAVI:n 2K-restauroinnin ensiesitys
Tapahtumaan myydään näytöksissä yhteislippuja, joiden hinta on 5 €. Lipulla
pääsee molempiin näytöksiin. Lippuja ei myydä ennakkoon.
Ovet avataan klo 18.30.
Lisätietoa: http://montaasi.ayy.fi/kohtipimeaa
Montaasi
13. maaliskuuta kello 12:10
Montaasin upeaa 50-vuotishistoriikkia myydään näytöksissä 20 euron
tarjoushintaan! (Normaalihinta 30 €.) Mukana DVD täynnä kotimaisen UG-elokuvan
aarteita. Hanki omasi!
Montaasi – Historiikki
montaasi.ayy.fi
"Siinä näkijä missä tekijä: Teekkarien elokuvakerho Montaasi 50 vuotta" tarjoaa
näkymän Montaasin toimintaan halki vuosikymmenten.
....
3. DURAS
Marguerite Durasin elokuvien sarja jatkuu Orionissa (Eerikinkatu 15, Helsinki).
Films by Marguerite Duras in Orion (Eerikinkatu 15, Helsinki) - highly
recommended!
http://www.kavi.fi
...
4. MAYA DERENIN ELOKUVIA
Artova Kino,
Arcada, Jan Magnus Janssonin aukio 1, Arabia, Helsinki 56.
Maya Deren lukeutuu amerikkalaisen kokeellisen elokuvan pioneeriin. Boheemia taitelijaelämää viettänyt Deren toimi myös muun muassa valokuvaajana, tanssijana ja kirjailijana.
Näytöksessä esitetään seuraavat Derenin lyhytelokuvat:
Meshes of the Afternoon (1943)
At Land (1944)
Ritual in Transfigured Time (1946)
The Very Eye of Night (1958)
Näytös kestää noin tunnin.
Elokuvat nähdään 16 mm:ltä filmiltä.
Näytökseen on vapaa pääsy!
Tervetuloa!
...
NÄYTTELY: Johanna Ketola Kluuvin galleriassa
Johanna Ketola
7.3.-23.3.2014
Shine on You, Eevaliisa
Shine On You, Eevaliisa (2014) on kolmesta fiktiivisestä videoteoksesta muodostuva teoskokonaisuus. Sen innoittajina ovat olleet hiljaisuuden kokemus, pohdinta havainnon merkityksellistämisen tapahtumasta, arkisten toimien yhtäaikainen hauraus, kauneus ja vieraantuneisuus sekä tekijää jatkuvasti koskettava tragikoomisen liikutuksen kokemus.
http://www.hel.fi/hki/taimu/fi/Toimipisteet/Kluuvin+galleria/KL_Nayttely_01
Showing posts with label Räsänen Jarkko. Show all posts
Showing posts with label Räsänen Jarkko. Show all posts
Monday, March 17, 2014
Sunday, January 12, 2014
18.00-21.00 14.1.14
@ Musterzimmer
Crellestrasse 44; U7-Kleistpark/
Jarkko Räsänen & Friends: Enter ↵ exhibition finissage &
video art screening by FixC cooperative [ Juha van Ingen, Erkka Nissinen, Seppo Renvall, Jarkko Räsänen & Kari Yli-annala ]
+ demoscene, chiptunes, etc
-PROGRAM-
I
Jarkko Räsänen:
Folding (2009)
In Girum Imus Nocte Et Consumimur Igni (2011)
Marche Funèbre (2013)
(break)
II
Juha van Ingen:
Timmy Come Home (2011)
Kari Yli-annala:
A Life of One's Own (2009)
Seppo Renvall:
Disk of the Day (1993)
Seppo Renvall:
Musta (2011)
Erkka Nissinen:
Rigid Regime (2012)
+ Juha van Ingen's WEB SAFE installation
changes in program might be possible...
http://fixc.fi/
http://musterzimmer.net/
welcome!WILKOMMEN!
@ Musterzimmer
Crellestrasse 44; U7-Kleistpark/
Jarkko Räsänen & Friends: Enter ↵ exhibition finissage &
video art screening by FixC cooperative [ Juha van Ingen, Erkka Nissinen, Seppo Renvall, Jarkko Räsänen & Kari Yli-annala ]
+ demoscene, chiptunes, etc
-PROGRAM-
I
Jarkko Räsänen:
Folding (2009)
In Girum Imus Nocte Et Consumimur Igni (2011)
Marche Funèbre (2013)
(break)
II
Juha van Ingen:
Timmy Come Home (2011)
Kari Yli-annala:
A Life of One's Own (2009)
Seppo Renvall:
Disk of the Day (1993)
Seppo Renvall:
Musta (2011)
Erkka Nissinen:
Rigid Regime (2012)
+ Juha van Ingen's WEB SAFE installation
changes in program might be possible...
http://fixc.fi/
http://musterzimmer.net/
welcome!WILKOMMEN!
Friday, December 27, 2013
14 texts for the future of art education and nomadic academy 1/14: Happy new year!
HAPPY NEW YEAR 2014 FROM THE NOMADIC ACADEMY
Last year has been been a wonderful year for us, starting with Art´s birthday performances via Skype between Paris Cité International and Helsinki (program curated by Jarkko Räsänen). In 2014 no Skype, but a great combination of performers in the same place, same day - this time coordinated by Jenni Markkanen (http://www.artsbirthday.net/, check our small Helsinki event from the Schedule 2014, not far away from the new location of The Finnish Academy of Fine Arts). In 2014 there will be the fifth edition of AAVE Alternative AudioVisual Event festival with both international and domestic guests. In Harakka island we started a new concept of events starting from midday and ending at midnight. The first event was Godard & Gorin Midday-midnight event (Dziga Vertov Group films and three wonderful talks). Strangely enough, when being again in Paris (it´s all Paris now) I couldn´t help noticing that Palais de Tokyo opening hours were midday-midnight...
In these days people are remembering the events of the previous year. Instead of going back in time my thoughts seem to wander more in the recent days and in the future. Since my real interest lies in moving image, I will reflect my thoughts on what I see the most interesting field of study and research concerning it in the next year(s).
I saw a small part of Chris Marker retrospective in Pompidou Centre before Christmas, including the films also by other artists that he had some connection with. One of them was "Demi-tarif", a narrative film about three abandoned children in the big city directed by Isild Le Besco (France, 2003). It was about the experience and the energy from their perspective, when they were living in their apartment without the adults. Because of the absence of the parents, the children invent stories i.e. about their mother visiting the apartment at night but leaving early to work. "Demi-tarif" succeeded in showing how the everyday social formations taken as granted can be fragile and how any group develops it´s own survival methods. Marker has compared the film to the experience upon seeing Jean-Luc Godard's "À Bout de Souffle" for the first time. In it´s use of the everyday locations, improvised "raw" acting and cheap dv camera the film was also a reminder of the 16mm practice in "Mala Noche", the first film by Gus van Sant and dv camera method used in different Dogme-films of the 1990s.
In "Demi-tarif" the camera and the rhythms of editing remained close to the senso-motorical movements and their reactions and emotions on the moment. The other direction taken in the festival´s film selection was the personal and political film essay. In his own film and video essays Marker is a personal and poetic voice, a quiet listener and a kind observer, looming friendly behind the construction of the myth of the self and the subject, memory and death - often with the images of the cat and the owl by his side. But in the new understanding of images and their power on us we need other artists, not only dedicated on the passing moment, the memory that we so desperately try to grasp but more to "the parliament of images" themselves. Retrospectively and contemporarely we need both Marker´s contemporarians and filmmakers / artists from the next generations of political essay-oriented filmmaking (Straub/Huillet, Jean-Luc Godard, to Haroun Farocki and Hito Steyerl and eventually the artists finding their energy from Post Internet or "neuro-image" condition in understanding where we are now. And there are always generations in-between, like Zanzibar group of the 1960´s or the contemporary remodernist movement.
In Helsinki the year ends with new beginnings. In the course Leviathan (about big things and small things) we have started a conversation about the new attitudes, appearing i.e. in the gallery & screening works "Finnish Pavilion" by Jaakko Pallasvuo & Kimmo Modig and "Raami" by Jenni Markkanen. These works are questioning the cynicism of the art world and introducing new attitudes on artmaking and the whole social play around it and other cultural venues engaged in the production of "the new". Post Internet culture had it´s artistic research moment in the performance "Screening Days - This has been flagged as spam - Point of view / Point of access- Lecture" by Juha Forss in TeaK. This 6 hour show consisting of Youtube-VJ:ing was an amazing - and sometimes frightening - dive into the new factory of images (self-images, manic mapping of the world, real-life war situations etc.). Of the new feature-length fiction films the movie "Salpa" (The Latch) by Zagros Manuchar seemed was a fresh return to a new simplicity which engages us in the world created around a fictional character.
All of these recent ´proto-territorial´ works are showing us that the immaterial images are coexistent with the material bodies and images in such a way that you can´t separate them from each other because the material world around us is covered with images - which "matter". There is no return to the modernist concept of modernist concept of authenticity but it is as clear that there is also a strong absence of postmodernist irony and "false images". Following Henri Bergson´s old formula we know that the material world is made of (moving) images alltogether. In addition to this we are always making and manufacturing new points of views, images of the world and of each other.
During the following year(s) Nomadic Academy will explore how the ways of expression and control (senso-motorical sensibility, worlds of memory, participation in the social world and the realm of images) are existent and realised in the contemporary situation (of art(s)). In this the collaboration with such organisations and institutions like Helsingin Elokuva-akatemia, Art School MAA, The Finnish Academy of Fine Arts etc. will be important, along with other institutions, organisations and groups. We hope to continue collaboration in the form of the events, courses, workshops, reading groups and discussions now and in the future.
HAPPY NEW YEAR 2014 from Nomadic Academy
Kari Y.
(http://
NEXT: "IT"
Last year has been been a wonderful year for us, starting with Art´s birthday performances via Skype between Paris Cité International and Helsinki (program curated by Jarkko Räsänen). In 2014 no Skype, but a great combination of performers in the same place, same day - this time coordinated by Jenni Markkanen (http://www.artsbirthday.net/, check our small Helsinki event from the Schedule 2014, not far away from the new location of The Finnish Academy of Fine Arts). In 2014 there will be the fifth edition of AAVE Alternative AudioVisual Event festival with both international and domestic guests. In Harakka island we started a new concept of events starting from midday and ending at midnight. The first event was Godard & Gorin Midday-midnight event (Dziga Vertov Group films and three wonderful talks). Strangely enough, when being again in Paris (it´s all Paris now) I couldn´t help noticing that Palais de Tokyo opening hours were midday-midnight...
In these days people are remembering the events of the previous year. Instead of going back in time my thoughts seem to wander more in the recent days and in the future. Since my real interest lies in moving image, I will reflect my thoughts on what I see the most interesting field of study and research concerning it in the next year(s).
I saw a small part of Chris Marker retrospective in Pompidou Centre before Christmas, including the films also by other artists that he had some connection with. One of them was "Demi-tarif", a narrative film about three abandoned children in the big city directed by Isild Le Besco (France, 2003). It was about the experience and the energy from their perspective, when they were living in their apartment without the adults. Because of the absence of the parents, the children invent stories i.e. about their mother visiting the apartment at night but leaving early to work. "Demi-tarif" succeeded in showing how the everyday social formations taken as granted can be fragile and how any group develops it´s own survival methods. Marker has compared the film to the experience upon seeing Jean-Luc Godard's "À Bout de Souffle" for the first time. In it´s use of the everyday locations, improvised "raw" acting and cheap dv camera the film was also a reminder of the 16mm practice in "Mala Noche", the first film by Gus van Sant and dv camera method used in different Dogme-films of the 1990s.
In "Demi-tarif" the camera and the rhythms of editing remained close to the senso-motorical movements and their reactions and emotions on the moment. The other direction taken in the festival´s film selection was the personal and political film essay. In his own film and video essays Marker is a personal and poetic voice, a quiet listener and a kind observer, looming friendly behind the construction of the myth of the self and the subject, memory and death - often with the images of the cat and the owl by his side. But in the new understanding of images and their power on us we need other artists, not only dedicated on the passing moment, the memory that we so desperately try to grasp but more to "the parliament of images" themselves. Retrospectively and contemporarely we need both Marker´s contemporarians and filmmakers / artists from the next generations of political essay-oriented filmmaking (Straub/Huillet, Jean-Luc Godard, to Haroun Farocki and Hito Steyerl and eventually the artists finding their energy from Post Internet or "neuro-image" condition in understanding where we are now. And there are always generations in-between, like Zanzibar group of the 1960´s or the contemporary remodernist movement.
In Helsinki the year ends with new beginnings. In the course Leviathan (about big things and small things) we have started a conversation about the new attitudes, appearing i.e. in the gallery & screening works "Finnish Pavilion" by Jaakko Pallasvuo & Kimmo Modig and "Raami" by Jenni Markkanen. These works are questioning the cynicism of the art world and introducing new attitudes on artmaking and the whole social play around it and other cultural venues engaged in the production of "the new". Post Internet culture had it´s artistic research moment in the performance "Screening Days - This has been flagged as spam - Point of view / Point of access- Lecture" by Juha Forss in TeaK. This 6 hour show consisting of Youtube-VJ:ing was an amazing - and sometimes frightening - dive into the new factory of images (self-images, manic mapping of the world, real-life war situations etc.). Of the new feature-length fiction films the movie "Salpa" (The Latch) by Zagros Manuchar seemed was a fresh return to a new simplicity which engages us in the world created around a fictional character.
All of these recent ´proto-territorial´ works are showing us that the immaterial images are coexistent with the material bodies and images in such a way that you can´t separate them from each other because the material world around us is covered with images - which "matter". There is no return to the modernist concept of modernist concept of authenticity but it is as clear that there is also a strong absence of postmodernist irony and "false images". Following Henri Bergson´s old formula we know that the material world is made of (moving) images alltogether. In addition to this we are always making and manufacturing new points of views, images of the world and of each other.
During the following year(s) Nomadic Academy will explore how the ways of expression and control (senso-motorical sensibility, worlds of memory, participation in the social world and the realm of images) are existent and realised in the contemporary situation (of art(s)). In this the collaboration with such organisations and institutions like Helsingin Elokuva-akatemia, Art School MAA, The Finnish Academy of Fine Arts etc. will be important, along with other institutions, organisations and groups. We hope to continue collaboration in the form of the events, courses, workshops, reading groups and discussions now and in the future.
HAPPY NEW YEAR 2014 from Nomadic Academy
Kari Y.
(http://
NEXT: "IT"
Sunday, October 9, 2011
FixC in Anthology Film Archives
FixC PRESENTS: FIXATION Anthology hosts the Helsinki-based cooperative FixC for several programs of experimental films and videos. In psychology ‘fixation’ means the state wherein the individual develops obsessions in relation to some body or some thing. It can also mean gestures like maintaining one’s gaze in a constant direction, repetition, and /or rituals. The “Fixation” screening is a brief journey through the diverse worlds of the moving image. FixC is an independent artists cooperative, which was launched to generate, distribute, and promote video art, media art, and experimental cinema, and to produce curated touring exhibitions and screenings. For more info, please visit: www.fixc.fi PROGRAM 1: Juha van Ingen FLUTTER (2006, 3.5 minutes) Seppo Renvall EXOTIQUE (2009, 9 minutes) Maria Duncker THE HOLY ROAD (2009, 2.5 minutes) Maria Duncker GO-GO (2002, 3 minutes) Kari Yli-Annala A LIFE OF ONE’S OWN (2008, 9 minutes) Maria Duncker BLOOM (2006, 4 minutes) Jarkko Räsänen IN GIRUM IMUS NOCTE ET CONSUMIMUR IGNI (2011, 5 minutes) Jarkko Räsänen FOLDING (2007-08, 6.5 minutes, silent) Erkka Nissinen VANTAA (2008, 12 minutes) Total running time: ca. 60 minutes. –Tuesday, October 11 at 7:30. PROGRAM 2: Seppo Renvall EESTAAS 2008, 53 minutes, 16mm. ‘Eestaas’ means back and forth in Finnish. Shot on 16mm, the film is intended to be projected forwards and then backwards. This work combines experimental film with electro-acoustic music. Together, they form a comprehensive experience which adds up to more than the sum of its parts. The music is produced by Samuli ‘Teho’ Majamäki, and the other musicians appearing alongside him are Ilpo Väisänen (Pan sonic), Tapani Rinne, and Verneri Lumi (Rinneradio). –Tuesday, October 11 at 9:15. PROGRAM 3: Maria Duncker ALUMINIUM (2003, 4.5 minutes) Maria Duncker HOMECOMING (2005, 4 minutes) Seppo Renvall BACK TO THE HUMANITY (2007, 4 minutes) Jarkko Räsänen UNFOLDING (2011, 6.5 minutes, silent) Juha van Ingen WEB SAFE (2008, 7 minutes, silent) Kari Yli Annala GUARDIAN ANGELS (2005, 3 minutes) Erkka Nissinen NIGHT SCHOOL (2007, 13 minutes) Erkka Nissinen RIGID REGIME (2009, 17 minutes) Maria Duncker PORN (2003, 2 minutes) Maria Duncker FOAM HEAD (2009, 1 minute) Juha van Ingen TOP-DOWN (2011, 4.5 minutes) Juha van Ingen (DIS)INTEGRATOR (1992, 4 minutes) Total running time: ca. 75 minutes. –Wednesday, October 12 at 7:00. PROGRAM 4: Seppo Renvall and Juha van Ingen LENKKI 2011 (Premier in Anthology) 20 minutes, Super-8mm loops with live soundtrack. Found ethnological footage of life in Finland projected and tweaked by Seppo Renvall and Juha van Ingen. The live soundtrack, composed by Jarkko Räsänen, combines original sounds from the film footage and field recordings of audio elements suggested by the images. –Wednesday, October 12 at 9:00. | |
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